The Ministry of Culture closed the exercises of the Palestine Forum for Arab Story (the meeting of the saint Majid Abu Sharar), which went on for three days, during which a gathering of essayists and pundits introduced virtual artistic courses on different points identified with declarations about the short story and the difficulties it faces at home and in the diaspora, and the short story Between the real world and desires in the Arab world. 

The pundit Mohamed El-Qadi from Tunisia conveyed the discourse of the members in the gathering, saying: "I salute every individual who added to setting up this discussion composed by the Ministry of Culture and in giving the logical and specialized conditions for its prosperity. 

In any case, here we meet in the grasp of Palestine from Jordan, Egypt, Saudi Arabia, Bahrain, Morocco and Tunisia, from the ocean to the ocean and from the Gulf to the sea to affirm that idea knows no limits and that the issue Palestine is alive in the Arab inner voice, and our faith in the Palestinian reason isn't subverted by arrangements or settlements. " 

The finish of the exercises incorporated the holding of two abstract courses, the first on "Composing the short story: another vision," with the investment of the author Jamila Amayrah from Jordan, the essayist Jamila Al-Watani from Bahrain, the essayist Nairouz Qarmout from Gaza, and the essayist and columnist Hisham Aslan from Egypt, directed by the author Abdul Ghani Salama. The second was named "The Short Story in the Arab World, Reality and Hope," with the cooperation of the pundit and scholastic Hussein Al-Manasrah from Palestine, the pundit and scholarly Dr. Muhammad Al-Qadi from Tunisia, and the pundit and scholastic Dr. Haifa Al-Fraih from Saudi Arabia under the Academy's organization and the pundit Dr. Amna Hajjaj. 

Abdul Ghani Salama said at the kickoff of the conference that this gathering has representative meanings, the most significant of which is the imagery of the spot. From here, from Palestine, the place where there is harmony and love, we impart ethically and basically and expand scaffolds of culture from Palestine to the Arab world. 

In her mediation, the essayist Jamila Al-Watani said that composing isn't an extravagance or popularity, so the author's pen isn't only for composing, or to compose what is in his psyche without an objective or vision. A deliberate author is somebody who can communicate his standards and thoughts in a complex artistic language, contacting human issues. Which is veering and expanding each day, however without his book, subject, or sonnet being kept from being distributed by the edits, and what is important to me from this gathering included the story perspective that moved us from standard cliché composing from an ordinary portrayal to a style that I can depict with the word (disobedience) that abides in me. It blends opportunity and strife. 

Thusly, the author Jamila Amayrah zeroed in her intercession on the chance of diminishing and strengthening the short story and utilizing the image and undertone, and that the story centers around the function and not the characters, and consequently its capacity to jump further and not pass on a superficial level, and included that the story leaves a wide space for the peruser with the essayist in setting the completion that he wants, and depends The component of anticipation, shock, and an open end, on the grounds that the story is a workmanship that doesn't rely upon a particular unbending layout, it is open, yet rather it interlaces in other artistic types, for example, verse, painting and music. 

Concerning the essayist Nairouz Qarmout from Gaza, she said that the encompassing political and social conditions frequently influence the Palestinian author, on his composing headings, and it is hard to be liberated from him, since they straightforwardly influence the whole course of his day by day life, regardless of whether he attempts to overlook it and not consider it, however what varies with progression of years without fail, it is the author's perspective on these encompassing conditions, and moved toward them in an alternate and more modern manner towards the artistic viewpoint. She included that Palestinian writing will take off away the more it sticks to its character, and converges with scholarly stories that move away from it with its creative mind, and approach it with its individual.